By A bundle of sage burns inconspicuously in an apartment window. A plate is shattered. A woman weeps in the shower. Jane has just been dumped. These are the opening moments of Matt Eames’ Deepfake, a satire about influencer culture, loneliness, and the increasingly transactional nature of modern relationships that never
Paramount May Drop Some Kids TV For EU
Paramount Skydance Corp may be preparing to sell off some of its children’s TV networks in order to secure European Union approval of their $110 billion Warner Bros. Discovery acquisition. According to Bloomberg (via Yahoo), Paramount hopes to avoid any asset sales but is open to sacrificing specific kids channels
“Spider-Noir” Co-Creator Talks Series Changes
David Hine, the co-creator of the original Spider-Noir character from the comics, has decidedly mixed feelings about the recently released Prime Video series based on the comic. Speaking with Radio Times, Hine says he’s impressed by the “cohesive world” they built and the series is “actually more ‘noir’ than our
Paramount+ Lands Mangold’s “Cop Land” Series
Paramount+ has reportedly landed “Logan” and “Ford v Ferrari” filmmaker James Mangold‘s TV series remake of his own 1997 Miramax film “Cop Land”. The project is currently in the development stage over at Paramount Television Studios and Miramax Television, making the Paramount streaming service a natural fit for the show.
PETER ASHER EVERYWHERE MAN: A Serendipitous Life in Music
As someone bred on The British Invasion of the 1960s from an early age, I was aware of Peter Asher thanks to his partnership with Gordon Waller. Their titular duo, Peter and Gordon, inspired by The Everly Brothers‘ harmonies, garnered hits like “World Without Love” and “I Go to Pieces.”
