By There’s a moment early on in Jane Schoenbrun’s third feature, Teenage Sex and Death at Camp Miasma, in which the filmmaker character played by Hannah Einbinder describes her work as exploring the intersection of queerness and cultural depictions of monstrosity. Anyone who has watched either of Schoenbrun’s previous films will
Review: Bugonia (2025), A Disappointing Misadventure From Lanthimos
This review contains major spoilers. You’ve been warned! If you’d like to see the film for yourself, you can stream it at this link. Yorgos Lanthimos and conspiracy culture should have been a natural fit. Lanthimos built much of his career around closed systems, irrational rules, and characters who accept
New “Spider-Man” Sets First Week Record
Sony’s “Spider-Man: Brand New Day” film has continued to smash box-office records across its first week. The title launched last Friday to a $360.1 million haul, beating “Avengers: Endgame” to score the highest domestic opening weekend box-office take of all time. It then continued to smash further records as it
SPIDER-MAN: BRAND NEW DAY: One of Spidey’s Best Adventures Yet
The Marvel Cinematic Universe has had its highs and lows, ever since Robert Downey Jr. first premiered as Iron Man way back in 2008 (and is now coming back in Doomsday, which I have mixed feelings about). Since Avengers: Endgame, though, it’s been more low than high, with some notable
Invincible Creator Robert Kirkman Is Trying to “Broom the Boring” Out of Comics
Robert Kirkman is not new to creating deeply layered mythologies set in foreign worlds. His pantheon of original characters and planets stretches across the outer reaches of new galaxies and timelines, giving readers a glimpse into cosmic, blood-soaked realities. He builds macrocosms with a few novel ideas and a pen.
