As we look toward the arrival of Peaky Blinders: The Immortal Man, directed by Tom Harper, the anticipation is not merely about the continuation of a narrative; it is about the elevation of a saga that has defined a decade of television.
When 12,000 fans, press, and professionals stuff themselves into Anaheim’s Honda Center you can expect electricity. And on a sweaty Southern California Friday night Disney hoped to channel that energy into another win — building on the momentum of the record breaking opening of Spider-Man: Brand New Day — on
By