By With a name like Frankenhooker, you pretty much know what you’re getting. It’s not going to offer a progressive view on sex work like Anahí Berneri’s Alanis, or even themes of alienation from the source material it bastardizes, Mary Shelley’s Frankenstein. Instead, you get a Troma-level B-horror comedy that lives
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I Swear’s reputation precedes itself. The film had not one but two big moments at this year’s BAFTA awards. The first: relative unknown Robert Aramayo’s shocking upset victory over industry titans Michael B. Jordan, Leonardo DiCaprio, Timothée Chalamet, Ethan Hawke, and Jesse Plemons. It’s no fluke. Aramayo is exceptional here,
