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A cursory glance at this weekend’s box office makes one thing clear: the future of cinema is here. Obsession and Backrooms dominated theaters, two films not just made by Gen Z directors, but also appealing primarily to Gen Z audiences. Without taking anything away from the achievement of Curry Barker’s

Single-location examinations into tragedy and drama among family and friends seem a dime a dozen in festival cinema. There are few that really distinguish themselves however. Some which come to mind are Cristian Petzold’s recent Miroirs No. 3 and Carla Simón’s Alcarràs. Most seem to follow a similar archetype of

This article contains Scream 7 spoilers It may have made a ton of money at the box office, but the seventh Scream movie was pummeled by critics, and even its Rotten Tomatoes audience score still lingers at around 70%. One of the main complaints from critics and fans alike about

If you grew up with parents who loved movies, chances are you were eventually forced to sit down and watch at least one “classic” from the 1970s. Thrillers, epics, musicals, or even sci-fi adventures, these films became essential family viewing for an entire generation. Parents quoted them endlessly, insisted modern

After editing, most movies end up with a similar run time, which is to be expected. After all, we as audience members can’t be expected to pay a ticket for a five minute movie, or to sit through an eight hour epic without breaks. Yet, some movies do end up