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Science fiction cinema came of age in the 1950s, beginning an ascent out of the drive-in schlock market that culminated in the boldly experimental yet still commercially viable efforts of the 1960s. That fed directly into the next decade, with sci-fi in the 1970s taking on (for the most part)

This Star Wars: The Acolyte review contains spoilers. One of The Acolyte’s most enticing selling points is that it’s the first live-action Star Wars show that exists outside of the Skywalker Saga, set 100 years before The Phantom Menace. This might lead one to believe that the show would be

Deadpool & Wolverine is not in theaters for almost another two months, but the hopes and aspirations of the Marvel Cinematic Universe—and perhaps now the summer movie season box office itself—are already being placed on Ryan Reynolds’ broad, leather-clad shoulders. So it’s not like the Merc with a Mouth needed

As the first Star Wars television show set during the High Republic, The Acolyte has all of the ingredients needed to make a unique and compelling Star Wars story. The plot centers on an investigation into a mysterious crime spree that uncovers secrets and dangers long thought to be buried.

Godzilla Minus One is a rare beast. Despite being derived from a franchise that’s nearly three-quarters of a century old, and which has had more installments than there are days in a month, Takashi Yamazaki’s latest reinvention of the Big G feels fresh. It’s a true spectacle of emotion and