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By January 24, 2026 Top

Sundance ’26: ‘BIG GIRLS DON’T CRY’ Experiments with Identity and Fake Friends

We meet 14-year-old Sid Bookman (Ani Palmer) in a video chat room. It’s 2006, New Zealand, still deep in the dial-up age. Talking to a guy online, Sid says she’s 18 and claims her camera’s broken. It’s not. A chubby, shirtless 35-year-old wanks off on the other side. It’s these

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By January 24, 2026 Top

Sundance ‘26: ‘SILENCED’ Relitigates the Amber Heard–Johnny Depp Trial Through the Lens of Weaponized Defamation Law

Historically, men would duel to the death when their reputations were tarnished, but international human rights lawyer Jennifer Robinson argues that “too many men were dying that way, so they introduced defamation laws.” This was supposed to be a more civilized method—allow legal practitioners to decide what is and is

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By January 24, 2026 Top

Sundance ‘26: ‘MUM, I’M ALIEN PREGNANT’ Is a Gross, Slimy Kiwi Hootenanny That’s Not Entirely Full Term

Mary (Hannah Lynch) isn’t up to much. Mostly, she loafs around and jerks off to hentai porn. When a new neighbor, Boo (Arlo Green), around her age, shows up, the antisocial underachiever befriends the socially awkward loner because he’s got tentacles on his dong. Turns out he’s probably an alien,

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By January 24, 2026 Top

Sundance ’26: ‘AMERICAN DOCTOR’ a Charged Account of Gaza’s Humanitarian Breakdown

American Doctor forces audiences to confront the carnage inflicted on Gaza’s civilians, particularly children, early and often. For anyone who somehow avoided footage of dead babies across social media in 2025, the film offers a corrective almost immediately. One doctor argues it would be “journalistic malpractice” not to show the

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By January 23, 2026 Top

Sundance ’26: A Childhood Displaced in Syrian Refugee Doc ‘ONE IN A MILLION’

Aleppo, Syria, 2025. A bombed out shell of its former self. Ten years prior, it was a flourishing city filled with bustling markets, food stalls, prayer, and congregation. Co-directors Itab Azzam and Jack MacInnes chronicle that ten year transformation through the lens of Israa, an Aleppo native. Filming for One

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Dawson Talks Her Cut “Spider-Man” Scene

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