Recently someone talked about how when we rewatch a movie, we get a different message. During a second, third or more viewing, we refocus who or what we identify with on the screen if we went through an experience similar to the one in the film. We might change our opinion of the film if … Read more
When Wicked opened on Broadway 21 years ago, famed New York Times critic Ben Brantley provided the musical with one of his typically backhanded notices. While giving high marks for Kristin Chenoweth’s undeniable talent in creating Galinda, as well as specific elements of the production like Eugene Lee’s sets, the
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