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Warning: this Inside No. 9 review contains spoilers. Alfred Hitchcock and co. needed just shy of two hours for Rear Window; Steve Pemberton, Reece Shearsmith and director Al Campbell nailed their version in under 29 minutes and got a great gag in at the end.  Inside No. 9 perfection? I’d argue so. Show me one second

This article contains spoilers for Star Trek: Picard and WandaVision. “What is grief, if not love persevering?” asks Vision in an oft-quoted scene from WandaVision. The sympathetic synthazoid intended the question as a validation of his partner Wanda’s feelings of despair after losing so much in Avengers: Endgame. But it’s

X-Men ’97 just finished its first season, one of the best things the MCU has ever released. Yet, way back in 1992, Fox Kids almost killed its predecessor before it had a chance to evolve. In the new documentary special Assembled: X-Men ’97, three of the chief creatives on X-Men:

This year’s edition of the Cannes Film Festival opened with Quentin Dupieux’s The Second Act (Le Deuxieme Acte), which aims to be thoughtful, but doesn’t necessarily impress in a significant way. The same can’t be said of Rungano Nyoni’s On Becoming a Guinea Fowl, screening as part of the Un

This article appears in the new issue of DEN OF GEEK magazine. You can read all over our magazine stories here. One of the joys of being a long-time comics reader is coming across ideas that are equal degrees clever and obvious. It’s safe to say Jed MacKay’s idea to pit Moon Knight,