By If you fired up Disney+ this week to watch Marvel’s new superhero streaming series, Wonder Man, you may have noticed that it’s been released under the “Marvel Spotlight” banner. You may also be forgiven for not knowing what that is or why it’s even a significant move from Marvel Studios,
Sundance ‘26: ‘TIME AND WATER’ Moves at the Pace of a Glacier, and Feels Just as Cold
Sara Dosa’s highly anticipated follow-up to Fire of Love arrives with the same promise of poetic science-meets-humanity. But where her debut doc was incandescent, this one plays like a glacially paced elegy that mistakes lyricism for emotional pull. Time and Water wants to be an elegy and a time capsule.
Boots Riley Skewers the Fashion Industry in First I Love Boosters Trailer
The trailer for I Love Boosters begins with Keke Palmer as a would-be store clerk who gives a very unique, but very honest, answer during her job interview. When asked about the challenges she would face in that position, her character admits, “I feel like I should have it all.
Seth Rogen Says New Sundance Hit Is The Kind of Movie That Terrifies His Studio Character
The Sundance Film Festival is, of course, an opportunity for movie lovers to experience the best in independent cinema. It is also a chance, however, for distributors to discover or launch the next low-budget sensation. A few such movies can even trigger a bidding war when it wows enough festivalgoers
Sundance ‘26: ‘NIGHT NURSE’ Is a Beguiling Wannabe Midnight Cult Classic
“It’s amazing to be needed,” so says the affectation-drenched day nurse Mona (Eleonore Hendricks) in Georgia Bernstein’s bizarre psychosexual horror Night Nurse. She works alongside a troupe of other young women, each assigned to their own older man, in a luxury retirement home that’s deeply unsettling from the jump. Something
