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When I told John Magaro I’d watched Omaha twice and was still recovering, he laughed and apologized. It’s a tough movie, but one that’s nevertheless rewarding and Magaro’s powerful, largely wordless turn powers the film confidently. Cole Webley’s debut feature, written by Robert Machoian, is a road trip movie with

As Resistance fighter Poe Dameron, Oscar Isaac had the unenviable job of delivering the line “Somehow, Palpatine returned” in Star Wars: The Rise of Skywalker—a desperate handwave so J.J. Abrams’ sequel trilogy-capper could have a familiar villain quickly added to the story. In the years since the movie’s release, it’s

Dario Russo takes talking animals very seriously. That’s why in The Fox, Russo’s first feature film, the woodland creatures’ ability to speak is treated as the most ordinary part of the movie. Russo’s particular vision for the magical realism comedy that had its world premiere at South by Southwest 2026

A good story always enriches the experience with any game, but as an interactive medium, it isn’t a necessity. When a given gameplay loop is good enough, players will keep coming back no matter what, even when the narrative makes little to no sense. Mind you, this isn’t to say

Not every movie needs to make perfect sense to leave an impact. Some films abandon clear logic in favor of mood, symbolism, or sheer ambition, creating stories that are confusing, contradictory, or downright impossible to fully explain. And yet, they still work. Unforgettable visuals, strong performances, or a unique atmosphere