What do you get when you toss Mel Brooks, a Nine Inch Nails music video, early SNL, German Expressionism, cartoons, community theater, your friends’ dreams, and an improbably long finger puppet into an open grave to fester? Why, Grace Glowicki’s deliriously creative, fabulously raunchy sophomore feature, Dead Lover, of course!
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Someone once said the waiting of a thing makes for such sweet sorrow. Sure, but it can also be the source of all anxiety, horror, and unrelenting dread, as proven in Ray Mendoza and Alex Garland’s Warfare. That is until the titular fire and thunder, shock and awe, descends. Then
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“Armageddon.” That word, spoken by political officer Putin in the 1990 adaptation of Tom Clancy‘s The Hunt for Red October, is weighted with meaning. It’s not just that The Hunt for Red October is a Cold War thriller about the Russian and American Navies racing to find the titular nuclear