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An extremely wealthy benefactor decides to buy up a plot of land and provide housing for a small faction of self-proclaimed communists in Alford, Massachusetts in the powerful, provocative, and infuriating documentary from Sinéad O’Shea, All About the Money. Her film begins with what should be a startling statistic—that the

Tell Me Everything unfolds like a memory. Or a bad dream that has grown nostalgic with time. From its oversaturated aesthetic to the buoyant Israeli disco influences and gaudy ’80s production design, writer-director Moshe Rosenthal’s Hebrew-language film is soaked in the specificity of time and place. It hopscotches through timelines

Shame and Money, writer-director Visar Morina’s pastoral-then-metropolitan slice-of-life drama from the landlocked Eastern European Republic of Kosovo, interrogates what’s left when a family’s livelihood collapses and they’re forced to fend for themselves in a new environment. For Shaban’s hardworking family, upheaval begins when their untrustworthy brother steals the family cow.

We meet 14-year-old Sid Bookman (Ani Palmer) in a video chat room. It’s 2006, New Zealand, still deep in the dial-up age. Talking to a guy online, Sid says she’s 18 and claims her camera’s broken. It’s not. A chubby, shirtless 35-year-old wanks off on the other side. It’s these

Historically, men would duel to the death when their reputations were tarnished, but international human rights lawyer Jennifer Robinson argues that “too many men were dying that way, so they introduced defamation laws.” This was supposed to be a more civilized method—allow legal practitioners to decide what is and is