By I was watching a documentary, part of Sky Arts exceptional multi-season show The Directors, in which each episode tackles a director and their life, career, hits, and misses. This edition covered Steven Spielberg – season 7, episode 1. As a Jaws fan, I was paying particularly close attention to the
AI Likeness Legislation Enters Final Phase
In a world where Disney tries to say you can’t sue them for killing somebody in one of their restaurants because you once signed up to Disney+, it is no surprise that US Corporate shithousery doesn’t really have any boundaries. Like with AI. Many actors were staggered to discover that,
IT ENDS WITH US Feud Develops
It Ends With Us is the success story of the summer, financially. Forget Deadpool & Wolverine, this female-orientated drama currently sits at $242 million at the box office from a tiny budget of $25 million, with it being a “must-see” fixture on many girls’ viewing lists. So a sequel is
Weaver Reflects On “Alien 3” Struggles
Ridley Scott’s “Alien” changed the face of cinema and crafted the still ultimate king film of the sci-fi horror genre. James Cameron’s “Aliens” remains one of the quintessential examples of a sequel done right and every bit a classic like its predecessor. Then there’s David Fincher’s “Alien 3”. The first
Coppola: Don’t Call “Megalopolis” Woke
Even before its release in cinemas, Francis Ford Coppola’s “Megalopolis” has been called many things in reviews out of festivals so far – beautiful, daring, dull, experimental, crazy and more. It’s a film designed to provoke a lot of discussion about big ideas, about society at large and all sorts
