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This article contains spoilers for the entire Marvel Cinematic Universe. The Fox-Verse too.
The Marvel Cinematic Universe is strong. Or it’s certainly stronger than all the doomsayers were making it out to be last year. While superhero fatigue is probably real, audiences were thrilled to turn out in force this past weekend for Deadpool & Wolverine, a film that is a love letter to not only the MCU but also the far more contentious “Fox-Verse” too. All that nostalgia seems to have paid off for Ryan Reynolds and Hugh Jackman, and it leaves Marvel in a much needed reset position before next year’s upcoming slate of MCU adventures, including new movies Captain America: Brave New World, Thunderbolts, and The Fantastic Four.
But today, we’re taking a look back at everything that came before. The MCU now consists of 34(!) big budget movies, and we’re ranking all of them. The good, the bad, and the groovy. And trust us with soundtracks like those provided by James Gunn and Ryan Reynolds, there’s plenty to groove to around here…
34. Thor: The Dark World
Ah, the wasted potential of this one. Thor: The Dark World made some good decisions, notably in how much of the action it set in an appropriately comic book-y version of Asgard and its use of a villain (Malekith the Accursed, played by Christopher Eccleston) from Walt Simonson’s all-time great Marvel Comics run. There are shadows of what this movie could have been peeking through, but ultimately it’s fairly forgettable after Thor’s triumphant turn in the previous year’s Avengers. It’s a stepping stone to far greater things for this corner of the MCU, but unto itself it’s pretty boilerplate and empty. There’s a reason the next Thor killed off most of the cast and the entire setting.
33. Ant-Man and the Wasp: Quantumania
The first film to be released under Marvel’s Phase 5 plans unfortunately put blood in the water for the MCU, especially at the box office. It’s true, Ant-Man and the Wasp: Quantumania has many problems. The visual effects which drown the film from almost start to finish blur together in a muddy brown; the villain seems like he’s stuck in a much less light-hearted movie; and the film forgets what makes Ant-Man work. Scott Lang’s grounded, low stakes adventures are part of why the first two family-focused Ant-Man films are so rewatchable. Taking Scott out of his world and putting him in a strange quantum land where it’s hard to visualize how his size makes an impact on anything just turns this particular tale into something inherently forgettable and disposable.
To encapsulate everything wrong with this ugly eyesore, there is a scene near the end where Paul Rudd’s Scott and Kathryn Newton’s Cassie embrace each other after turning into “Giant” mode. The film is shot in a medium-wide shot with nothing but empty digital space in the background. They could be the size of the Empire State Building, an ant, or a father and daughter taking up aisle space at the grocery store. You cannot tell, you just want them to get out of your way.
32. Iron Man 2
If Iron Man showed the potential of what the MCU could be, Iron Man 2 was a warning about the Marvel Method’s drawbacks. This sequel keeps much of the creative team which made a classic two years earlier, yet despite ostensibly being about Tony Stark dealing with the fallout of fame, the chaotic result seems more distracted by the need to set up other priorities. There’s Scarlett Johansson’s underdeveloped intro as Black Widow; an entirely superfluous subplot involving Nick Fury and SHIELD; and some empty Avengers easter eggs. The finished patchwork leaves only time for Tony and his enemies to smile for the cameras.
31. Avengers: Age of Ultron
Another sequel that appears to be a victim of its predecessor’s popularity, the second Avengers movie is a film divided against itself. Is it a grand adventure about Earth’s Mightiest Heroes fighting sentient A.I. or an origin for Vision and the Mind Stone? A stripped down sequel where the team loses its sci-fi toys or a setup for Thor: Ragnarok? It’s all those things and none of them. Ultimately, it’s just a lot of bloated noise where even the snappy Joss Whedon dialogue sounds flat. But hey, at least it teased Cap and Mjolnir.
30. The Incredible Hulk
The Incredible Hulk is virtually a forgotten MCU entry. The second film in the Marvel Cinematic Universe was the first to hint at even wider connections to come in a profound way, with our earliest hints of Captain America and the super soldier serum, the connections to Tony Stark, and more.
Star Ed Norton ultimately departed the role of Bruce Banner after this film (to be replaced by the now ubiquitous Mark Ruffalo), making it feel even more like a relic of another era. Still elements of this film did eventually become relevant again, with Tim Roth’s Abomination making a cameo in Shang-Chi and the Legend of the Ten Rings, and Hulk mythology further explored on Disney+ within the She-Hulk series. While The Incredible Hulk may not be your favorite Marvel movie—it’s about as basic an MCU movie as you can get—it might be worth a revisit for the lore at least.
29. Captain Marvel
Captain Marvel came at a fairly inopportune time in the MCU. Wedged between Avengers: Infinity War and Avengers: Endgame, this ‘90s-set story is a sojourn back to Marvel’s past to introduce an important character and establish some intergalactic lore. While the film, directed by Anna Boden and Ryan Fleck, is a bit all over the place (seriously: it’s hard to recall many plot details without Wikipedia assistance), it’s hard to argue that the MCU isn’t a better place with Carol Danvers in it. The Tesseract-powered Captain Marvel is truly a force to be reckoned with.
28. Eternals
Even before it was released into a sluggish pandemic box office landscape, Eternals had an uphill battle. Two and a half hours may sound like a long time, but when you consider the task of introducing 10 new characters to the MCU not long after Endgame did such a good job reminding us of how much we love the ones we’ve already got, it’s not very long at all. Chloé Zhao makes a herculean attempt at the job she is given, but inevitably the tale of a family of ancient superpowered individuals and their millennia-long struggle to guide humanity toward a more utopian future is fairly unsuccessful.
It does look pretty though with all the on-location photography Zhao insisted on. It’s nice to see Marvel get out of Atlanta and away from almost entirely blue screens and Volume. They should try again, even if the Eternals themselves are left on the permanent backburner.
27. The Marvels
The Marvels is not nearly as bad as the internet would lead you to believe. But it also isn’t particularly good. If this movie came out a few years earlier and had a tighter script or vision, we cannot help but wonder what could have been. Because the chemistry between the three leads is solid. An actual Freaky Friday-like superhero comedy where Carol Danvers, Monica Rambeau, and Kamala Khan could be as chill and joyous as they are in that one Beastie Boys montage.
As it stands, there are moments of occasional fun here. Letting Brie Larson show off her singing pipes in an all too-brief sequence set on a musical planet had a lot of potential; a whole scene of Flerken devouring humans to “save” them while Cats‘ “Memory” belts in the background is clever; and Iman Vellani just has charisma for days. But these are good pieces of a movie which never come together in a satisfying whole. The film was clearly tinkered with to death in post-production, and what’s left feels like the skeleton of what might have been.
26. Thor: Love and Thunder
It doesn’t seem too long ago that the first trailer for Thor: Love and Thunder exploded onto the internet, thrilling MCU fans who were hyped to see Thor: Ragnarok director Taika Waititi back at the helm of another adventure for the God of Thunder. But when the movie was eventually released back in 2022, the difference between a good trailer and a good movie had never been clearer.
Where Thor: Ragnarok had delicately balanced humor and pathos between its characters, Waititi had crafted Love and Thunder as a straight up wacky comedy, and the whole thing ended up being rather frivolous. Some fans felt that former Batman Christian Bale was wasted as the terrifying villain Gorr the God Butcher, but most could definitely agree that Natalie Portman deserved better. Still, we got Ted Lasso‘s Brett Goldstein as Hercules for about three seconds in a post-credits scene! Only time will tell if Marvel will waste him, too. Also, as goofy as it is, Russell Crowe’s turn as Zeus is amusing enough to push this a few spots up, including above several other 2023 MCU entries.
25. Ant-Man and the Wasp
Ant-Man and the Wasp is by no means a terrible film, but it’s also not particularly good either. Benefitting immeasurably at coming out between Avengers: Infinity War and Avengers: Endgame, Ant-Man and the Wasp in retrospect was a forerunner to the greater problems Marvel would run into during Phase 4. It ostensibly wants to be a fun family movie and a heist film, but it never fully commits to making the heist any less generic than that running Baskin-Robbins joke.
To put it another way, even Laurence Fishburne forgot about this movie when he said he’d like to appear in the MCU, and he played Giant Man in this!
24. Thor
Can you believe that Thor was the first Marvel superhero to star in a fourth solo movie? Not even Iron Man did that. And it all started with the fourth entry in the then-young MCU and the franchise’s first full-blown foray into realms (nine of them to be exact) beyond this little blue ball we’re doing our best to destroy.
Thor isn’t a “great” film, but it has plenty of striking moments, introduces concepts like Asgard and alien technology being the basis for human mythology, and features knockout performances from breakout Tom Hiddleston as Loki, Anthony Hopkins as Odin and Chris Hemsworth as the God of Thunder himself. Marvel took one of its unlikeliest heroes seriously, and opened the doors for more to come.
23. Doctor Strange
Doctor Strange is a tale of two movies. The first is a simple superhero origin story, in which an arrogant goateed rich man is humbled by a traumatic injury and decides to use his superior intellect to enrich the world rather than just himself. Sound a bit like another Marvel origin story? Yeah, that’s kind of the problem with the first half of Scott Derrickson’s Doctor Strange. The second half, however, is a revelation. Once Stephen Strange is fully entrenched as the Sorcerer Supreme this film becomes a thrilling kaleidoscope of fracturing realities, culminating in one of Marvel’s most creative boss battles.
22. Ant-Man
The Ant-Man films never seem to be very high up on your average Marvel fan’s list of favorites, and they haven’t achieved the kind of box office domination that Iron Man and Captain America have with their solo efforts, but they persevere regardless because they fully embrace one key factor that most other MCU installments don’t: they really are family movies.
This wholesome Paul Rudd-led caper, which follows ex-con Scott Lang’s attempts to be a better father to his daughter Cassie, is super lighthearted and just good old-fashioned fun for all ages, and Rudd is effortlessly charming in Ant-Man as the redemption-seeking Lang, who rather accidentally becomes a problem-solving superhero that other, wiser minds discover they actually need in their lives. Lang’s personal troubles are nearly always rooted in the real world, and he stays grounded even when the universe throws its wildest concepts at him. Simply put: Lang is one of us, and we’re always delighted to see him.
21. Black Widow
It came way too late (10 years after Natasha Romanoff’s introduction in Iron Man 2), but when Black Widow’s standalone finally arrived, it was worth it. Cate Shortland’s funny, family espionage actioner was a new flavor for Marvel, and it gave Nat the send off she deserved.
Florence Pugh as Yelena, Nat’s estranged little sister made a welcome addition to the MCU and her sparring and banter with Scarlett Johansson’s Nat was electric as the two join forces with parental figures Alexei (David Harbour) and Melina (Rachel Weisz) to take down one of the franchises most despicable baddies, a man so resolute in his hatred of women he tortures his own daughter. Okay, things fall from the sky at the end, and okay, Ray Winstone does not nail a Russian accent, but Black Widow is a brilliant all-rounder: an action-packed, character-driven romp with a feminine touch.
20. Deadpool & Wolverine
The Merc with the Mouth’s first foray under the Marvel Studios umbrella turns out to be a lot more defiantly nostalgic about the Fox-Verse he’s escaping. But that is also a large part of Deadpool & Wolveirne‘s charm. Essentially a victory lap for Ryan Reynolds’ Wade Wilson and Hugh Jackman’s beloved Old(ish) Man Logan, Deadpool & Wolverine allows two of the greatest bits of superhero movie casting to bro out and make us laugh with some genuinely clever deep cut jokes at the expense of the entire superhero movie genre.
At the risk of mixing superhero franchises though, we wish Deadpool & Wolverine was able to retain a little bit of the pathos and sincerity of the films that preceded it. The threequel never needed to be a bleak drama like Jackman’s Logan, but the first two Deadpool flicks had a little more heart when it came to proving Wade’s more than just four-letter words and pansexual double entendres. Yet Deadpool & Wolverine spends so much time celebrating its many glorious cameos and references that it never gives either Wade or Logan enough meat to pick their claws and katanas at. Be that as it may, the movie is a genuinely laugh-out-loud good time. If it really is the final, final swan song to the Fox-Verse and Jackman’s Wolverine, then Kevin Feige and Marvel Studios found a good-spirited way to tip the hat and leave us smiling.
19. Iron Man 3
Nearly a decade after its release, Iron Man 3 continues to be the most divisive movie the MCU has to offer, so it’s not surprising to find it in the middle of this ranking: you generally either love it or hate it! Following the disappointment that was Iron Man 2, Jon Favreau had departed as the franchise’s director, and Shane Black was brought in to write and helm Tony Stark’s third movie, deciding to make a character-centric action flick using bits from Warren Ellis’s “Extremis” comic book arc. Re-teaming with his Kiss Kiss Bang Bang director, Robert Downey Jr. seemed to be in his element here and took the character of Tony Stark to unexpected places. But that infamous Mandarin reveal was unacceptable to some, so Iron Man 3 is still viewed by many as an MCU mis-step. Enough of us dig Black’s shaggy sense of humor to get this out of the bottom doldrums though!
18. Doctor Strange in the Multiverse of Madness
Not nearly as divisive as Iron Man 3 but still pretty darn divisive was 2022’s Doctor Strange in the Multiverse of Madness! After changing directors and bringing on board a new writer (and villain) the sequel to Doctor Strange kinda feels like it came along a little late in the day and perhaps missed its window in the superhero zeitgeist.
With six long years between the first Sorcerer Supreme movie and the next, it did seem a little odd that Stephen was still stuck on his old girlfriend, and though he’d learned plenty during the ensemble events of Avengers: Infinity War and Avengers: Endgame, you get the sense that we lost some crucial time with the MCU’s primary wizard that could have paved the way for an interesting multiversal story for him that didn’t just revolve around Scarlet Witch’s latest meltdown. And it certainly didn’t help that the multiverse just… wasn’t that mad. But in the end, it’s hard to be too bent out of shape while watching a fun Sam Raimi joint! And it definitely felt like Raimi whenever he was allowed to get mean with all those magician monk red shirts and star-studded cameos…
17. Black Panther: Wakanda Forever
After the death of Black Panther star Chadwick Boseman, Marvel and director Ryan Coogler decided to continue making a sequel without recasting T’Challa. Focusing on how Wakanda forges on in the wake of T’Challa’s passing, Shuri (Letitia Wright) takes center stage as the sovereign nation comes under attack by those who sense weakness in its global standing. There’s a hole at the heart of Wakanda Forever, one that Coogler and co. were not able to fill in their grief. Boseman’s star was just too bright, and his death casts a shadow over both the emotional story of the sequel, and our natural response to it. The film is filled with incredible visuals, art, and performances, but like us, it just misses Boseman too damn much.
16. Shang-Chi and The Legend of The Ten Rings
It’s amazing the difference a good villain can make. While the MCU doesn’t have “a villain problem” in the way it used to, Eternals proved that Phase 4 isn’t above making redundant (e.g. boring) superhero movies. But not on Tony Leung’s watch. The Hong Kong cinema legend came into the MCU and made portraying a supervillain look easy, bringing complexity to his portrayal of Ten Rings leader and Shang-Chi’s father Wenwu. Throw in some of the MCU’s best fight choreography in years and an exploration of Chinese diaspora, and you’ve got the best MCU solo film since 2018’s Black Panther.
15. Spider-Man: Far From Home
The MCU’s Spider-Man has always been a bit too big-scale to be our “friendly neighborhood” anything, but the franchise’s depiction of Peter Parker has shone best when he’s just being a kid. While not every high schooler is lucky enough to travel across Europe with their classmates, most of us have been on a field trip, which makes Far From Home’s pairing of high-stakes superhero shenanigans and a class trip so ingenious. Far From Home strikes the perfect post-Endgame tone, melding Peter’s grief over losing Tony and his clash with Quentin Beck with a lighter exploration of teen romance and friendship. Throw in a game-changing ending, and you have the perfect film to close out Phase 3.
14. Spider-Man: Homecoming
Marvel Studios finally nailed the intangible element that no other Spider-Man movie had managed to capture: Peter Parker and his friends are teenagers. The triumph of Spider-Man: Homecoming is just as much about what a perfect supporting cast that Tom Holland’s Peter Parker is surrounded with, a style of light humor that feels perfectly suited to high schoolers, and some authentic New York City flavor.
Bolstered further by Michael Keaton’s menacing Adrian Toomes, one of the best villains the MCU has ever produced, you can almost forget that Homecoming has the added bonus of Robert Downey Jr. showing up as Tony Stark to help show Peter the ropes. Iron Man is a welcome addition to the proceedings, but ultimately, this is a movie that shines in its smaller, more “friendly neighborhood” moments.
13. Guardians of the Galaxy Vol. 2
It’s a common criticism to say Marvel movies all look and play the same. Neither of which could be further from the truth when watching James Gunn’s visually dazzling and emotionally layered sequel. Indeed, the MCU never looked cooler than in cinematographer Henry Braham’s bizarre detours through the galaxy, nor has it seemed more personal than in Gunn’s diorama of parent and adult child dysfunction. The movie’s melancholic core about the death of bad parents provides the MCU with its most cathartic ending, and also sets up Nebula and Gamora to steal Avengers movies from the Avengers.
12. Captain America: The First Avenger
It seems that Captain America: The First Avenger has seen something of a renaissance with fans in recent years. Maybe it’s because of how beautifully Avengers: Endgame put a cap on the Steve Rogers/Peggy Carter romance which was seeded in this film. Or maybe it’s just because folks have finally realized that this film’s first half is as perfect a superhero origin story you’re ever likely to see, encapsulating all of the elements of Cap’s golden age adventures with a nostalgic, high-adventure flavor reminiscent of the Indiana Jones flicks. Charming, unpretentious, and good fun (just like Steve Rogers!) The First Avenger gives little indication of just how far the MCU will take its title character, and feels more essential now that you know how his story ends.
11. Spider-Man: No Way Home
Yes, Spider-Man: No Way Home leaned into fan service perhaps more than any other MCU installment before it. But by bringing the current Peter Parker (Tom Holland) into the multiverse to team up with the Spideys played by Tobey Maguire and Andrew Garfield, No Way Home both acknowledged Marvel’s fractured past as a film franchise while giving those versions of the character—not to mention several of their villains—a proper coda to their own studio-abandoned stories. As for Holland, he gave what may be one of the best superhero movie performances of all time.
10. The Avengers
They said it couldn’t be done. But Marvel carefully laid the groundwork with five previous movies, culminating in this groundbreaking and truly spectacular team-up: a rip-roaring, character-driven adventure that brought 50 years of comic book dreams to the screen. Say what you will about whatever Joss Whedon is, but his innate knowledge of the comics and clever writing, combined with Marvel’s confidence in the idea and an all-star cast that fully committed to the material, took the MCU to a whole new level and proved that audiences would come along for the ride if they believed in where you were taking them. The Avengers did just that and changed the game forever.
9. Guardians of the Galaxy Vol. 3
Guardians of the Galaxy Vol. 3 marked a perfect end to James Gunn’s MCU trilogy before he moved on to transform the DC universe. Not only does it give us one of the most hatable supervillains of all time in High Evolutionary, it gives each of the Guardians the send-off they deserve. We could never have predicted how emotionally devastating it would be to have to say goodbye to a team that initially seemed quite ridiculous all those years ago. (A talking raccoon and a tree? Nonsense!) But Gunn pulls out all the stops as he makes his way to the end of the line for Rocket, Peter, Nebula, and the rest of our faves, telling a thoughtful trilogy of tales through the lens of a found family. Sniff.
8. Iron Man
Without Iron Man, there would be no MCU. It’s an easy observation to make. Perhaps a more interesting consideration, then, is to realize that without the MCU, Jon Favreau’s Iron Man would still stand on its own as a grand cinematic adventure. More so, even. Divorced from the formula which would smooth and smother the edges of other successors, Favreau made wild choices—none bigger than casting Robert Downey Jr. as Tony Stark.
Anchored by Downey’s incorrigible delight at being the leading man again, there’s a giddy screwball energy to the way the actors play off one another here, and how Downey elevates the material with a human touch. In retrospect, it’s still refreshing.
7. Guardians of the Galaxy
2014’s Guardians of the Galaxy marks the beginning of what could be called Marvel’s “Running Up the Score” period. At this point in the studio’s history, it already had successful films built around its A-list characters and was readying the second Avengers team-up effort, Age of Ultron. What better time to tap horror auteur James Gunn to tell a space-faring adventure about some Marvel comic nobodies? This team-up origin story featuring Star-Lord, Gamora, Drax the Destroyer, Rocket Raccoon, Groot, and more brings a beautiful and much-needed Han Solo energy to the beginning Marvel’s outer space era.
6. Avengers: Infinity War
Though Avengers: Endgame stormed into theaters a year after Avengers: Infinity War’s release and undid a lot of its downbeat story elements, it’s hard to forget that feeling of sitting in the dark in complete shock as the credits rolled on Infinity War knowing that, for once, an MCU villain had been triumphant and killed off so many Marvel superheroes (and half the universe) with a simple snap of his fingers.
Essentially, the blockbuster is simply a matter of watching people you already like arrive in a string of scenes for over two and a half hours, but that doesn’t make the process any less enjoyable, and that end battle against Thanos and his hordes could have been ripped straight from an Avengers event comic. From the death of Vision, to our heroes’ feeble attempts to thwart the Mad Titan, to the shocking demise of Black Panther, Spider-Man et al, Infinity War unveils an end sequence like no other. It’s still a punch in the gut even now, and it’s hard not to hit put on Endgame straight afterwards as a kind of tonic for your grief.
5. Captain America: Civil War
Often less of a Captain America movie than Avengers 2.5, Captain America: Civil War asks you to pick a side between two of the most popular characters in comic book history and it makes valid points for choosing either, as Tony Stark collects together a found family of superheroes only for co-parent Steve Rogers to be torn between making it “Sokovia Accords” official or betray his values and the only brother he ever really knew. Marvel’s first Phase 3 film boasts a character roster the likes of which a normal action movie would struggle with, but returning Winter Soldier directors the Russo Brothers make it all look easy, and even throw the MCU introductions of Black Panther and Spider-Man into the mix.
More than a rehearsal for their Infinity War and Endgame double bill, Civil War makes you watch a family of beloved but broken individuals disintegrate before your very eyes while Daniel Brühl’s villainous Helmut Zemo views the brawl passively from the sidelines, knowing that whoever loses will ultimately make him the winner.
4. Thor: Ragnarok
In the best Marvel movies, “Marvel” isn’t just the name of the studio but a stern command. No superhero movie inhabits Marvel’s desire for its films to be, well… marveled than Thor: Ragnarok. This third installment in the Thor series completely reinvigorated Chris Hemsworth’s title character and the MCU overall at the time of its release.
As directed by the now-divisive Taika Waititi, this is a heavy metal album cover of a film fit-to-bursting with bright colors, hilarious gags, and thrilling action set pieces that make you feel like you could pick up Mjölnir, yourself. This is superhero storytelling at its most reckless, fun, and free.
3. Black Panther
Black Panther is the only Marvel movie to be nominated for Best Picture. That kind of intense recognition both spotlights and obscures its cultural relevance. The first (overdue) Marvel movie to be led by a Black superhero was immediately celebrated for elevating often marginalized voices. But what Ryan Coogler, Chadwick Boseman, and company did with that voice is where it truly transcends.
Disguised as a superhero movie, Black Panther presents a global allegory about the legacy of African diaspora, and a comic book drama where the supervillain’s motivations are painfully righteous. When brought to life by a kinetic cast, it becomes one of the best movies of its genre.
2. Captain America: The Winter Soldier
The Winter Soldier did what Iron Man 2 and Thor: The Dark World could not: improve on its predecessor. It helps that The First Avenger has such a game-changing ending. Steve wakes up after 70 years in the ice to find the world he once knew gone. In The Winter Soldier, he must grieve that incalculable loss while at the same time figure out how best to be a hero—processes he begins in 2012’s The Avengers but that get much more narrative space here.
Screenwriters Christopher Markus and Stephen McFeely brilliantly blend Steve’s individual journey with elements of the spy thriller genre to ask thematically rich questions about the failure of corrupt institutions and the elasticity of patriotism. There have been plenty of entertaining MCU installments; The Winter Soldier is the rare superhero movie that has something deeper to say about our world and the nature of power in it.
1. Avengers: Endgame
It was one of the most highly anticipated films of all time, and it delivered on that promise—and more than 20 films’ worth of epic world-building and storytelling—in ways that make it easy to see why it became the second-highest grossing movie of all time. The finale to Marvel’s Infinity Saga didn’t just resolve the cliffhanger at the end of Avengers: Infinity War, but it concluded the journeys of several characters, including Iron Man, Captain America, and Black Widow, whom the world had grown to love over the previous 11 years.
Full of warmth, huge fan and character moments, and an irresistible energy that made it soar through its three hours, Endgame was a worthy capstone to the MCU’s first decade. It also encapsulates everything Marvel does so well: well cast characters playing off each other in cleverly written scenes, and taking the moment to find some humanity in what are otherwise outrageous plots (this one has time travel!). Afterward, the moments where they come together to face a world-ending threat mean so much more, and there will likely never be a greater assemblage of big screen superheroes than the final movements of Endgame.
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