By If you ever think the universe is giving you a sign not to do something, you should probably listen. Not if you work for Amazon MGM Studios, though. No matter how many setbacks their new live-action Tomb Raider suffers, they keep on insisting on persisting. Production Weekly is the bible
Jurassic World: Rebirth (2025)
Jurassic World: Rebirth (2025) A new era is born. The opener slaps. Cleanly staged, tense without yelling, and it announces director Gareth Edwards’ MO straight away: show just enough, trust scale and sound design, then pull back before spectacle turns to slurry. Across two hours, that restraint mostly holds. This
Pierce Doesn’t Want A “The Wire” Reboot
Twenty years on, and David Simon’s iconic drama “The Wire” on HBO is a show that still tops many ‘Greatest TV Series of All Time’ lists alongside the likes of “Breaking Bad,” “Twin Peaks” and fellow HBO alum “The Sopranos”. Part of the draw was its specificity – set entirely
New “Conjuring” Targets $35 Million Debut
The post-Labor Day weekend box-office used to be a dead zone, but that all changed in 2017 when the first “IT” film debuted to a $123.4 million opening weekend. Since then, the weekend has been seen as one primed for horror fare with “The Nun” and last year’s “Beetlejuice Beetlejuice”
Chris Columbus: Leave “Home Alone” Alone
Certain franchises won’t see a reboot, certainly as long as the creators are still alive. One of those is famously “Back to the Future” with both writer/director Robert Zemeckis and writer/producer Bob Gale having commented about being strongly against any such plans. Another to add to that mix is filmmaker
