By While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues. Bobby Farrelly‘s coming-of-age comedy skirts around the challenges of modern dating as a teenager (Driver’s Ed), while Yeon Sang-ho‘s graphic novel adaption questions society’s deranged evaluation of conventional female body standards
Second Teaser: Jesus Horror “The Carpenter’s Son”
Magnolia Pictures has premiered another short teaser trailer for “The Carpenter’s Son,” a dark genre feature described as a ‘young Jesus horror’ film and starring Nicolas Cage, Noah Jupe and FKA twigs. The project is inspired by the apocryphal “Infancy Gospel of Thomas,” a 2nd-century AD text recounting the childhood
Netflix Also Considering Buying Warners
Recently, the news came that Paramount Pictures, now flush with cash from the Skydance merger, was looking into buying Warner Bros. Discovery as a whole. Today, a new report at Puck is claiming that Netflix is one of several companies weighing a potential bid to buy Warner Bros. Pictures and
David Ayer Reveals The Truth Behind Controversial Batman Scene In ‘Suicide Squad’
Did David Ayer completely misunderstand Batman? The director reveals the truth behind the recently viral scene from his Suicide Squad film. With Suicide Squad now technically canon to the DC Universe, fans have gone back to revisit the canary in the coal mine when it came to the death of
TIFF 2025: Interview with Director/Writer Lloyd Lee Choi of Lucky Lu
After premiering the film at this year’s Cannes Film Festival, Canadian/Korean filmmaker Lloyd Lee Choi brings his feature film debut to Toronto, in what seems like a perfect home for a story about the immigrant experience. Lucky Lu is an exceptional piece of filmmaking, and Choi spoke to Film Inquiry about
