By It has taken two-and-half years, but shooting on the eighth “Mission: Impossible” film reportedly wrapped late last week in the UK – two-and-a-half years after it began filming its first scenes in March 2022.
The project was hit by various delays – a nine-month delay due to the actors/writers strikes, a shorter one caused by a submarine malfunction, and commitments to finish and promote the seventh film in mid-2023 all impacted the shoot so that it was somewhat stop-and-go over that lengthy period.
Now though it should be ready in time for its planned May 23rd 2025 release and eyes are turning towards the film’s first promotional efforts.
World of Reel today reports that a first trailer and title reveal for the film is due in the next few weeks with copies of the trailer “definitely” attached to copies of Ridley Scott’s “Gladiator II” when it arrives November 22nd.
As that film is going earlier by a week or so in some markets, the trailer should theoretically arrive within the next month. With it is expected to be the new title – replacing the originally planned ‘Dead Reckoning Part Two’.
The first trailer for “Mission: Impossible – Dead Reckoning Part One” was widely acclaimed but arrived far too early – a full 14 months before the film’s release (delays of the film’s release drew out that time period). This one, coming just six months out, is more in line with standard film promotion.
With filming in the UK, Africa and the Arctic on the new one, the big question is if the franchise can turn things around after ‘Dead Reckoning Part One’ resulted in losses of more than $200 million for Paramount.
Critics have adored the series since Brad Bird’s fourth film hit a 93% on Rotten Tomatoes, that figure going higher throughout the various Chris McQuarrie films.
However there was seemingly less enthusiasm from some audiences regarding the seventh one in a way there wasn’t on the prior film ‘Fallout’, something that may have contributed to its less stellar box-office performance beyond just the film’s proximity to last year’s Barbenheimer event.
A report earlier this year suggested the eighth film was already “running well over $300 million in production costs” so this one needs to be a success for Paramount or it could well be Ethan Hunt’s swan song.
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