By Filmmaker Jon Watts went from small indie films like “Cop Car” to breaking through big time with 2017’s “Spider-Man: Homecoming” at Marvel Studios. He returned for both “Spider-Man: Far From Home” in 2019 and then “Spider-Man: No Way Home” in 2021, the latter proving a juggernaut hit. From there, he
“Saturday Night” A Hit at Telluride
Though Venice is sucking up all the festival attention, the Telluride Film Festival managed to divert some of it away last night with the premiere of Jason Reitman’s “Saturday Night”. Reitman and even Bill Murray were on hand for the screening which had a strong reception at the festival. The
“Deadpool” Tops Labor Day Box-Office
It’s the Labor Day holiday weekend in the United States – the Summer box-office season’s last hurrah and a traditionally dead quiet time. Unshockingly it’s “Deadpool & Wolverine” leading the pack for the holiday with $15.1 million for the traditional three-day and $19.4 million for the four-day. It also crossed
McAvoy’s “Evil” Role Is ‘Bogan Andrew Tate’
In two weeks comes the release of “Speak No Evil,” an English-language remake of the 2022 Danish satirical thriller and a new and more serious version that hails from filmmaker James Watkins – the helmer behind “The Woman in Black” and the infamously brutal “Eden Lake”. The film sees a
“The Brutalist” Gets 13-Minute Ovation
Brady Corbet’s historical drama “The Brutalist” earned the biggest standing ovation at the Venice Film Festival so far with a whopping 13 minutes of clapping. The three-and-a-half hour film, which includes a 15-minute intermission, sees Adrien Brody playing a Hungarian Holocaust survivor struggling to revive his career as an architect
